My practice investigates how systems of knowledge shape what we recognize as life, value, and reality. I am interested in the instability of biological, cultural, and perceptual categories, and in how these classifications determine what is rendered visible, intelligible, or excluded.
Drawing from biological structures such as microorganisms, corals, and fungi, as well as speculative imagery from science and science fiction, I construct ceramic forms that resist fixed identities. Through processes of fragmentation, fusion, and repetition, I create hybrid entities that exist between species and states, proposing life as a continuum rather than a fixed order.
Ceramics is central to my practice for its plastic freedom and capacity for transformation. The unpredictability of the firing process, where colors shift and surfaces evolve beyond full control, requires an openness to change and detachment from fixed results. My work ultimately asks how alternative forms of existence might emerge if we loosen our attachment to imposed categories and reconsider how we define and name the world around us.